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UPDATES & SCREENINGS

Upcoming Screening in Fiji!

We are excited to announce that we have scheduled a screening of Fiji Memory, Colonial Time at the University of the South Pacific in Suva, Fiji on July 29th at the Japan-Pacific ICT Theatre!

In addition we hope to add additional screening in Fiji and larger Oceania over the coming weeks. Stay tuned for more details about all screenings!

Podcast Episode featuring Fiji Memory, Colonial Time!

Fiji Memory, Colonial Time was featured on Pam Uzzel’s wonderful podcast Art Heals All Wounds. Pam is a friend, film school classmate of Alexi’s and amazing filmmaker in her own right. Her podcast features engaging interviews with artists from different disciplines sharing how they creatively engage with the issues we all struggle with. Thank you Pam for giving us this opportunity to discuss the film! We think the interview turned out nicely! Please give it a listen and share it online!

Here is the link:
Art Heals All Wounds: Alexandra Lacey – Colonialism Through a Family Lens

And please follow Pam’s podcast: Art Heals All Wounds
She’s always interviewing fascinating and passionate artists!

Private Screening for cast and crew, family and friends!

On November 10th at the Roxie Theater, we were thrilled to do a private premiere screening of Fiji Memory, Colonial Time at the Roxie Theater in San Francisco!

The event featured cast and crew and film subject Jean Bish signed copies of her novel Bells and Shadows, excerpts of which are featured in the film. Thank you to everyone who came out! It was wonderful to show the film on the big screen with a large audience!

For those of you who haven’t seen the film, we are finalizing the last touches of post-production and beginning to apply to festivals and arrange special screenings. Stay tuned for the public premiere!

San Francisco’s beloved indie art house theater!
The director and with her husband and co-producer
Alexi and her former MFA film school classmates
Jean Bish, subject of the film and mother of the director
Cinematographer S. Smith Patrick, director Alexandra Lacey, and editor Kathleen Dargis